Adrian Schachter (b. 1996, New York) is an artist and designer based between London and New York. Schachter’s works are developed through a mode of idealistic cynicism, moving him to analyse all hypocrisies and inconsistencies encountered. When applied to the world of images, Adrian was bombarded with an online presence since childhood, along with the rest of his generation. There was an appetite for digesting data in every form that was nothing less than voracious. Yet, the more diverse and psychologically charged the information was, the more Adrian became increasingly numbed and detached. While trying to elaborate this through his practice, Adrian found that pairing disparate but somehow tangentially related imagery created unintended relationships more profound and unexpected than when they existed on their own. In the process of mining for content that gets translated into his paintings, Adrian teases out and highlights connections that transform the way the viewer perceives the underlying material, creating new and unforeseen narratives in the process.
Schachter holds a holds a BFA from School of Visual Arts, New York (2019).
Solo exhibitions include ‘Apples and Oranges’, Spazio Amanita, New York (2024); ‘If Fish Could Swim’, Gratin, New York (2023); ‘Split Ends’, Spazio Amanita, Florence (2022).
His works have featured in group exhibitions including ‘Waking Life’, Spazio Amanita, New York (2024); Punk Tyröl, Spazio Amanita, S-chanf (2022); ‘Post Fata Resurgo’, Spazio Amanita, Florence (2021); ‘Sprezzatura’, Spazio Amanita, Florence (2021); ‘Fairyland’, Mindy Solomon Gallery (2020); ‘La Totale Collective’, Studio Orta, Les Moulins (2020); ‘Group Exhibition’, Superzoom, Paris (2019); ‘Family Guy’, Simon Lee Gallery, London (2018).