Callum Eaton

Callum Eaton (b. 1997, Bath) is an artist based in London. Eaton’s painting practice combines a mastery of photorealistic rendering with a conceptual critique of contemporary culture and 21st-century society. In his latest body of work, Eaton turns his attention to the almost obsolete ATMs (automated teller machines) that adorn the high streets of the United Kingdom. Once at the cutting edge of capitalist technology and the consumer economy, these cash points are now all but redundant, relics of an age pre-Chip and PIN or contactless payments. Evoking formalism, cubism and the aesthetics of geometric abstraction, Eaton’s hand-painted portrayals invite interaction with trompe-l'œil temptation and false financial promises. In an art world increasingly obsessed with price tags, sales figures and auction results, Eaton’s ATMs serve as a sardonic, satirical reminder that perhaps cash is still king after all.

Eaton completed a BA in Fine Art at Goldsmiths University, London (2019).

Solo exhibitions include ‘Look but don't touch’, Carl Kostyal, London (2023) and ‘Hole in the Wall’, Long Story Short Gallery, Paris (2023). His work has been featured in group exhibitions including ‘I DON’T NEED IT, BUT I WANT IT’, The Office, Miami (2022); ‘Breaking News’, Another Gallery, Paris (2022); ‘The Call’, Hackney Down Studios, London (2021); ‘​Morrison Foerster’, The Scalpel, London (2021); ‘The Call, Exhibit 1, Sons Of Craft’, Kunstraum Gallery, London (2020).