Racheal Crowther

Racheal Crowther (b. 1991, Dublin) is an artist based in London.

Crowther holds a BA in Fine Art and Critical Thinking from Goldsmiths University (2013) and completed the Postgraduate Programme, Royal Academy of Arts (2024).

Solo shows include ‘Qualified to Care’, Ginny on Frederick, London (2023); ‘Managed Decline’, 243 Luz, Margate (2023); ‘Hard Shoulder’, Peak Gallery, London (2019).

Her works have been featured in group shows including ‘The Reactor’, The Sunday Painter, London (2024); ‘Arcadia Missa: Open Office’, Arcadia Missa (Online), London (2023); ‘Devotional Cache’, House of Seiko, San Francisco (2023); ‘This is nowhere & it’s forever’, Galerie Louise, Brussels (2023); ‘Intermission: White Noise Ballrooms’, Camden Arts Centre Off-Site Programme, Cork Street Galleries, London (2020); ‘GUT’, Spazio Maiocchi, Milan (2019); ‘Clearview presents +1’, Clearview Ltd., London (2016); ‘Planned Obsolescence’, Miltronic Club, Moscow (2016); ‘Neither happy nor an hour”’, Caustic Coastal, Manchester (2016); ‘Closest thing to wearing nothing’, M.I/mi1glissé, Berlin (2016); ‘Bloomberg New Contemporaries’, ICA, London (2014); ‘‘Bloomberg New Contemporaries’, World Museum, Liverpool (2014).

Crowther is the author of ‘The Eternal Pursuit of the Unattainable - Interjection Calendar 009’, published by Montez Press, New York (2023); ‘Qualified to Care’, published by Racheal Crowther, London (2022); ‘Forever Guilty’, published by Innen Books, Zürich (2022).